Are you obsessed with a 3/4 electric guitar but still don’t know which one is best for your needs and budget? To help you with, Carroll / Fletcher has listed the top best 3/4 electric guitar. A 3/4 electric guitar is also called ‘mini,’ ‘traveler,’ or ‘short scale length’ guitar. It is a...
Are you still in trouble with finding a suitable electric guitar under 1000 that meets your requirements? Carroll / Fletcher is here to help you by listing the 15 Best Electric Guitars Under 1000. Even though you are on a tight spending plan, you can still have the chance to choose many...
John Akomfrah – Peripeteia (trailer), 2012 Peripeteia takes as its starting point two drawings by the sixteenth century artist Albrecht Dürer. The portraits are among the earliest Western representations of black people, their existence now “lost to the winds of history”. A Smoking Dogs Films Production, in association with Carroll/Fletcher and the European Cultural Foundation. Next...
Eva and Franco Mattes’ exhibition Abuse Standards Violations investigates the dark side of the Internet. In a new series of video installations, the New York-based duo exposes the vast amount of unpalatable material kept away from our screens by an army of underpaid workers, while offering a bizarre but telling glimpse into...
The birth of conceptual art has long been associated with the collapse of the gold standard in 1971. With one decision, the value of the dollar was no longer backed by the intrinsic value of a physical commodity, but instead became immaterial, opening financial markets up to greater speculation and...
12 February – 2 April 2016 For his second exhibition at Carroll / Fletcher, digital art pioneer Manfred Mohr presents a series of new pieces mapping his formal investigations of theoretical space in generative screen-based works, drawings, and inkjet paintings. One of the very first artists ever to produce drawings...
How to Measure Quietness, 2014 Dry pastel and pencil on paper96.5 x 127 cm38 x 50 in The artist explains: ‘I have been thinking a lot about my decibels, dB for short (loudness level), and associations with machinery such as how 75 dB could be interpreted as loud like an urban...
“A bot is free of taste, in its paradigm it can act in full freedom. No rethinking, no regrets, no need for undos.” How do computers experience the world? This is the question driving Kim Asendorf and Ole Fach’s playful investigation of what the physical world looks like through digital...
“…our memory has no guarantees at all, and yet we bow more often than is objectively justified to the compulsion to believe what it says.” Sigmund Freud, The Interpretation of Dreams (1899) “In real life, as well as in experiments, people can come to believe things that never really happened” Professor Elizabeth...
Carroll / fletcher is pleased to present ‘stringendo, vanishing mediators’ the first uk solo exhibition by dutch artist constant dullaart (nl, 1979). Dullaart works predominantly with the internet as an alternative space of presentation. His practice is concerned with visualising networked semantics and software vernacular while adopting a political approach critical of corporate hegemony. ...