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Why Hiring Experts for Tree Lopping in Sydney is Worth It

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Tree Lopping

Why is Tree Lopping Important in Sydney?

Tree lopping is a crucial maintenance practice for Sydney’s urban forest. It involves the selective removal of branches to manage tree size and shape. This specialised technique helps preserve tree health while ensuring safety for surrounding properties and residents.

The Importance of Professional Tree Assessment

Effective lopping practices are built on professional tree assessment:

  • Visual Inspection: Certified arborists examine branch structure, foliage distribution, and signs of disease
  • Risk Analysis: Evaluation of potential hazards to buildings, power lines, and pedestrian areas
  • Health Assessment: Identification of dead, diseased, or crossing branches requiring removal

The Process of Tree Lopping

The process of tree lopping Sydney involves careful planning and execution:

  1. Initial Documentation: Photographic evidence and measurements of the tree’s current state
  2. Access Point Assessment: Determination of safe climbing routes and equipment positioning
  3. Cut Planning: Strategic mapping of branch removal sequence to maintain tree balance

The Benefits of a Structured Lopping Approach

A structured lopping approach delivers multiple benefits:

  • Reduces risk of branch failure during storms
  • Promotes healthy growth patterns
  • Maintains aesthetic appeal of properties
  • Prevents interference with utility lines

The Need for Regular Tree Maintenance in Sydney

Sydney’s unique climate and growing conditions make regular tree maintenance essential. Professional lopping services help manage the city’s tree population while preserving the natural beauty that characterises Sydney’s neighbourhoods.

See Also: How to Find Quality Firewood Near Me Without Overpaying

Tree Lopping

Sydney’s tree preservation laws establish strict guidelines for tree lopping activities. Property owners must obtain specific permits from their local council before undertaking any tree modification or removal work.

The legal requirements vary across different council areas in Sydney:

  • Development Application (DA) – Required for significant tree work
  • Tree Permit Application – Needed for minor pruning and maintenance, which includes pruning or removing trees on your property
  • Complying Development Certificate – Applicable in certain circumstances

Protected tree species and heritage-listed specimens require additional documentation and specialist assessments. Property owners face substantial penalties for non-compliance, including:

  • Fines up to $110,000 for individuals
  • Legal action and court proceedings
  • Mandatory tree replacement orders
  • Property development restrictions

Professional tree service providers must hold:

  • Valid public liability insurance
  • Arborist qualifications
  • Council-specific work permits
  • Safety certifications

The application process includes:

  1. Tree assessment documentation
  2. Site plans and photographs
  3. Detailed work specifications
  4. Risk management strategies
  5. Environmental impact statements

Local councils typically process applications within 2-4 weeks. Emergency work exceptions exist for hazardous situations, yet post-work documentation remains mandatory. Property owners should maintain records of all approved tree work permits and completed service documentation.

How Can Hiring Professional Tree Services Benefit You?

Professional tree services deliver substantial advantages for property owners in Sydney. These expert services transform outdoor spaces through:

1. Enhanced Property Value

  • Strategic pruning improves kerb appeal
  • Well-maintained trees increase property marketability
  • Professional landscaping adds aesthetic value

2. Tree Health Management

3. Time and Resource Efficiency

  • Access to specialised equipment
  • Swift completion of complex tasks
  • Proper disposal of green waste
  • Elimination of tool purchase requirements

4. Risk Mitigation

Professional arborists possess the expertise to maintain trees at their optimal health whilst preserving the natural beauty of Sydney properties. Their knowledge extends beyond basic tree care to include species-specific treatments and seasonal maintenance requirements. These services create a safer environment for residents whilst protecting their investment in their property’s landscape features.

When Should You Consider Hiring Tree Removal Experts?

Property owners need to recognise specific signs that signal the immediate need for professional tree removal services. These critical indicators help prevent potential hazards and maintain property safety.

Key signs requiring expert intervention:

  • Dead or dying trees with extensive bark peeling, numerous bare branches, or fungal growth
  • Trees with severe storm damage or lightning strikes
  • Root system issues causing the tree to lean or lift from the ground
  • Disease or pest infestations spreading to nearby vegetation
  • Trees interfering with power lines or building structures
  • Cracked or splitting trunks indicating structural weakness
  • Hollow sections in the main trunk or major branches

Trees exhibiting these symptoms pose significant risks to property and safety. Professional arborists possess the expertise to assess the severity of these conditions and determine whether removal is necessary.

The presence of multiple dead branches, extensive decay, or structural instability creates dangerous situations that require immediate attention. Attempting DIY removal in these circumstances can result in serious injuries or property damage.

Sydney’s weather patterns, including strong winds and storms, can exacerbate existing tree problems. Professional tree removal services utilise specialised equipment and techniques to safely remove compromised trees while protecting surrounding structures and vegetation.

What Steps Should You Follow to Hire the Right Tree Services?

Selecting a reliable tree service provider requires careful consideration and thorough research. Here’s a systematic approach to finding the right professionals:

1. Gather Local Recommendations

  • Ask neighbours and friends about their experiences
  • Check community forums and social media groups
  • Read online reviews from verified customers

2. Verify Essential Credentials

  • Valid business licence
  • Public liability insurance
  • Professional indemnity coverage
  • Workers’ compensation insurance
  • Arborist certifications

3. Request Detailed Quotes

  • Written cost breakdown
  • Timeline for completion
  • Equipment and methods to be used
  • Clean-up and waste removal plans
  • Warranty or guarantee details

4. Assess Professional Standards

  • Response time to enquiries
  • Clear communication
  • Detailed site inspection
  • Written risk assessment
  • Safety protocols explanation

5. Compare Multiple Services

  1. Obtain at least three quotes
  2. Check included services
  3. Evaluate price-to-value ratio
  4. Review payment terms
  5. Examine contract conditions

Professional tree services should provide comprehensive documentation and maintain transparent communication throughout the hiring process. A reputable company will happily answer questions about their qualifications, methods, and safety measures.

How Trees Down Under Ensures Safety and Compliance in Tree Lopping

Trees Down Under is a trusted name in Sydney’s Hills District and North Shore areas, providing professional tree lopping services with a strong emphasis on safety and compliance.

Comprehensive Safety Protocols

The company’s safety protocols include:

  • Detailed Risk Assessment: Each project is thoroughly evaluated to identify potential dangers
  • Regular Equipment Maintenance: Specialised tools are inspected and serviced regularly
  • Ongoing Staff Training: All team members receive continuous professional development
  • Emergency Response Plans: Well-documented procedures are in place for unexpected situations

Effective Risk Management Strategy

Their strategy for managing risks includes:

  • Public liability insurance
  • Professional indemnity coverage
  • Workers’ compensation protection
  • Equipment and vehicle insurance

Commitment to Regulatory Compliance

Trees Down Under’s commitment to following regulations is evident through:

  • Strict adherence to local council regulations
  • Up-to-date permits and certifications
  • Environmental protection measures
  • Proper waste disposal practices

Experienced Arborists

The company’s dedicated team of arborists brings extensive experience in:

  1. Land clearing and development
  2. Tree removal and stump grinding
  3. Vegetation management
  4. Site preparation and grading
  5. Environmental assessments

This systematic approach to safety and compliance has earned Trees Down Under its reputation as a reliable service provider, trusted by residential and commercial clients across Sydney’s northern regions.

Why Does Safety Matter in Tree Lopping Work?

Tree lopping operations involve significant risks that can lead to severe injuries or property damage when proper safety protocols aren’t followed. Professional tree loppers understand these dangers and implement comprehensive safety measures to protect both workers and property.

Essential safety equipment includes:

  • Hard hats and safety goggles to protect against falling debris
  • Steel-capped boots for foot protection
  • Cut-resistant gloves and clothing
  • Safety harnesses for elevated work
  • High-visibility gear for clear visibility

The use of proper safety equipment prevents:

  • Head injuries from falling branches
  • Eye damage from wood chips and sawdust
  • Foot injuries from dropped tools or wood
  • Cuts and abrasions from sharp equipment
  • Falls from heights during tree climbing

Professional tree loppers conduct thorough risk assessments before starting any job. These assessments identify potential hazards such as:

  1. Power lines in close proximity
  2. Structural weaknesses in trees
  3. Weather conditions affecting stability
  4. Underground utilities
  5. Nearby buildings or structures

The implementation of safety measures extends beyond personal protection. Tree loppers use specialised equipment and techniques to control the direction of falling branches, ensuring minimal risk to surrounding property. They also establish clear work zones and communication protocols between team members to coordinate complex cutting operations safely.

Safety in tree lopping directly impacts the quality of work performed. When proper safety measures are in place, workers can focus on precise cuts and careful branch removal, resulting in better outcomes for tree health and appearance.

To further mitigate risks, especially those related to falls from heights, professional tree loppers adhere to strict guidelines and utilize advanced fall protection strategies.

Tree Lopping

What Role Do Professional Arborists Play in Ensuring Successful Tree Lopping Projects?

Professional arborists bring specialised knowledge and expertise essential for successful tree lopping projects. These trained professionals possess comprehensive understanding of:

1. Tree Biology and Health Assessment

  • Identification of diseases and pest infestations
  • Analysis of structural weaknesses
  • Evaluation of root system health
  • Assessment of growth patterns

2. Technical Expertise

  • Precise cutting techniques
  • Branch weight distribution analysis
  • Understanding of tree species-specific requirements
  • Knowledge of seasonal timing for lopping

Professional arborists conduct thorough site evaluations to:

  1. Determine the tree’s current condition
  2. Assess potential risks to surrounding structures
  3. Create tailored lopping strategies
  4. Identify preservation opportunities

The expertise of professional arborists extends beyond basic tree cutting. Their deep understanding of tree biology enables them to make informed decisions about:

  • Optimal cutting points
  • Required extent of lopping
  • Future growth predictions
  • Post-lopping care requirements

These specialists utilise advanced diagnostic tools and techniques to evaluate tree stability and structural integrity. Their expertise helps preserve trees’ natural form while addressing safety concerns and aesthetic requirements.

Professional arborists also maintain detailed documentation of their assessments and interventions, creating valuable records for future tree maintenance and care strategies.

How Do Experts Minimise Environmental Impact During Tree Lopping?

Professional tree lopping services implement eco-conscious practices that protect surrounding vegetation and wildlife habitats. These specialists utilise advanced equipment designed to minimise soil compaction and reduce damage to nearby plants.

Key environmental protection measures include:

  • Precision cutting techniques – Specialised tools enable accurate cuts that prevent unnecessary damage to healthy branches and surrounding flora
  • Biodegradable lubricants – Equipment operates with environmentally-safe oils and fuels
  • Waste management systems – Proper disposal and recycling of green waste through mulching and composting
  • Habitat preservation – Careful assessment of wildlife presence before work begins
  • Soil protection methods – Use of ground protection mats to prevent soil erosion and compaction

Professional tree loppers also time their operations around local wildlife breeding seasons and implement noise reduction strategies to minimise disruption to native fauna. Their equipment includes:

  • Low-emission chainsaws
  • Electric-powered tools where possible
  • Hydraulic platforms that reduce ground impact
  • Specialised rigging systems for controlled branch removal

These environmental considerations extend to the selection of access routes to work sites, with experts choosing paths that cause minimal disturbance to existing vegetation. Professional services also provide guidance on replanting options to maintain the local ecosystem’s balance after tree lopping operations.

Why Should You Trust Professional Tree Loppers in Sydney?

Professional tree lopping services in Sydney are essential for responsible property maintenance and urban forest management. Here’s why you should trust them:

  • Property Protection: Certified arborists use precise cutting techniques and strategic planning to protect buildings, power lines, and surrounding vegetation.
  • Cost-Effective Solutions: While DIY attempts may seem cheaper at first, professional services can prevent expensive property damage and future tree-related problems.
  • Enhanced Property Aesthetics: Expert tree loppers improve the visual appeal of properties through skilled pruning and shaping techniques.
  • Safety Assurance: Licensed professionals have comprehensive insurance coverage and follow strict safety protocols to protect both property and people.
  • Time Efficiency: Skilled teams complete projects quickly and effectively, saving property owners valuable time and effort.
  • Legal Compliance: Professional services ensure all work complies with Sydney’s local council regulations and environmental guidelines.

Investing in professional tree lopping services offers lasting benefits for property owners. These experts have the skills, equipment, and knowledge needed to maintain healthy trees while ensuring the safety and beauty of Sydney’s urban landscape.

How to Find Quality Firewood Near Me Without Overpaying

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Quality Firewood

Why Is It Important to Source Quality Firewood for Efficient Heating?

Quality firewood serves as the foundation for effective home heating. High-grade wood burns hotter, longer, and cleaner than subpar alternatives, delivering maximum heat output while minimising waste. A well-chosen firewood supply can reduce heating costs by up to 30% compared to poor-quality wood.

The Benefits of Quality Firewood

The burning characteristics of quality firewood create notable benefits:

  • Higher Heat Output: Premium firewood produces consistent, intense heat that warms spaces more effectively
  • Reduced Smoke: Clean-burning wood minimises harmful emissions and improves air quality
  • Lower Consumption: Superior wood burns longer, requiring less frequent replenishment
  • Decreased Maintenance: Quality wood creates less creosote buildup in chimneys

Challenges in Finding Affordable, High-Quality Firewood

Finding affordable, high-quality firewood presents several challenges for homeowners:

  • Limited local suppliers with properly seasoned wood
  • Varying prices between vendors for similar products
  • Difficulty verifying wood quality before purchase
  • Seasonal availability affecting costs
  • Transportation and delivery expenses
Quality Firewood

The Long-Term Benefits of Investing in Quality Firewood

The investment in quality firewood pays dividends through improved heating efficiency and reduced long-term costs. Homeowners who source premium wood enjoy better heat production, cleaner air, and fewer maintenance requirements. The key lies in identifying reliable suppliers who offer well-seasoned wood at reasonable prices.

See Also: Why Hiring Experts for Tree Lopping in Sydney is Worth It

What Are the Different Types of Wood and Which Ones Make the Best Firewood?

The choice between hardwood and softwood can significantly impact heating efficiency and fuel costs. Hardwoods have a dense cellular structure, resulting in a longer, hotter burn with minimal smoke production. Softwoods have a lighter, more open cell structure that burns quickly and produces more smoke.

Characteristics of Premium Hardwood Firewood:

  • Oak: Creates intense, long-lasting heat
  • Maple: Burns hot and slow with minimal smoke
  • Hickory: Produces high heat output and pleasant aroma
  • Ash: Lights easily and burns steadily

These hardwoods typically contain 4,600+ BTUs (British Thermal Units) per pound, making them highly efficient heating sources.

Softwood Limitations:

  • Burns 2-3 times faster than hardwood
  • Requires frequent replenishment
  • Creates excessive smoke and ash
  • Contains 2,500-3,500 BTUs per pound

Pine and fir release high amounts of resin when burned, leading to creosote buildup in chimneys. This sticky substance clings to chimney walls, creating fire hazards and requiring more frequent cleaning.

Identifying Quality Hardwood:

  • Weight: Heavier than softwood varieties
  • Bark texture: Thick, rough exterior
  • Sound: Produces solid “thunk” when pieces strike together
  • Grain pattern: Dense, tight growth rings

The superior burn qualities of hardwood make it cost-effective despite higher initial prices. A single load of hardwood can provide heat equivalent to multiple softwood loads, reducing the need for frequent restocking and minimising chimney maintenance requirements.

Professional arborists recommend mixing small amounts of softwood with hardwood loads. The softwood helps initiate the fire, while the hardwood maintains steady heat output throughout the burning cycle.

How Can You Identify Well-Seasoned Firewood That Will Burn Effectively?

Seasoned firewood refers to wood that has been properly dried to achieve optimal burning performance. Fresh-cut wood contains up to 50% moisture content, making it unsuitable for immediate use as firewood. The seasoning process allows this moisture to evaporate naturally, resulting in wood that burns cleaner and more efficiently.

The proper drying time for firewood varies based on several factors:

  • Wood species and density
  • Initial moisture content
  • Local climate conditions
  • Storage environment
  • Wood size and splitting

Most hardwoods require 6-12 months of proper seasoning to reach ideal moisture levels below 20%. This extended drying period ensures the wood will produce maximum heat output with minimal smoke production.

Key Signs of Well-Seasoned Firewood:

  • Visual IndicatorsDeep cracks and splits along the end grain
  • Loose or peeling bark
  • Grey or darkened colour compared to fresh-cut wood
  • Visible separation between growth rings
  • Physical CharacteristicsNotably lighter weight than fresh wood
  • Hollow sound when pieces are knocked together
  • Hard, dry surface texture
  • Easily visible end grain checking

Properly seasoned firewood with moisture content below 20% offers significant benefits:

  • Higher heat output
  • Cleaner burning with less smoke
  • Reduced creosote buildup in chimneys
  • Easier ignition and sustained burning
  • Lower emissions and better air quality

Buyers can perform simple tests to verify wood seasoning:

  1. Weight Test: Lift and compare similar-sized pieces – seasoned wood feels significantly lighter
  2. Sound Test: Strike two pieces together – seasoned wood produces a clear, ringing sound
  3. Bark Test: Press thumbs against the bark – well-seasoned wood’s bark easily peels or falls off
  4. Split Test: Fresh splits should feel dry to touch and appear lighter in colour than the exterior

Professional firewood suppliers often use moisture meters to guarantee proper seasoning levels. These devices provide accurate readings and help ensure customers receive quality firewood that meets the recommended moisture content standards.

Why Does Moisture Content Matter When Buying Firewood?

Moisture content is a crucial factor in determining the quality and burning efficiency of firewood. Wet firewood can cause several problems:

  • Reduced Heat Output: High moisture content forces the fire to expend energy evaporating water instead of producing heat
  • Excessive Smoke Production: Damp wood creates thick, heavy smoke that can irritate eyes and lungs
  • Creosote Build-up: Burning wet wood leads to dangerous creosote deposits in chimneys, increasing fire hazards
  • Difficult Ignition: Wet wood resists lighting and requires more kindling to start

For these reasons, it’s essential to understand the best wood for your log burner and the implications of burning wet seasoned firewood, which can be found in this comprehensive guide.

A moisture meter is an essential tool for checking the dryness of wood before buying it. These handheld devices:

  • Provide accurate moisture readings in seconds
  • Help identify wood with optimal moisture levels (below 20%)
  • Prevent purchasing unsuitable firewood
  • Save money by ensuring quality purchases

How to Use a Moisture Meter

  1. Insert the meter’s pins into the wood’s surface
  2. Take readings from multiple spots
  3. Test both the exterior and interior
  4. Record readings to compare different wood sources

Professional firewood suppliers often use moisture meters to guarantee their product quality. Homeowners can purchase basic moisture meters for £20-£40, making them a worthwhile investment for regular firewood buyers.

Safety Note: Burning wood with high moisture content not only wastes money but poses serious safety risks through chimney fires and carbon monoxide production. A moisture meter helps prevent these hazards while ensuring optimal heating efficiency.

For further insights into the ideal moisture content for firewood, consider referring to this detailed guide on firewood moisture content.

Where Can You Find the Best Local Sources of Quality Firewood?

1. Sawmills: The Primary Source for High-Quality Firewood

Local sawmills are one of the best places to find high-quality firewood. These facilities regularly process timber, which means they have large amounts of wood that is perfect for burning. Sawmills usually have specific areas where they dry out their firewood, making sure it reaches the ideal level of dryness before being sold.

2. Lumber Yards: Another Reliable Option

Lumber yards are another reliable option for finding quality firewood. Many lumber yards sell both construction timber and firewood. The staff at these yards are knowledgeable about different types of wood and how to properly season them. Because they have direct relationships with timber suppliers, these establishments often offer competitive prices.

3. Specialised Firewood Suppliers

There are also specialised suppliers who focus specifically on selling firewood. These include:

  • Dedicated firewood merchants
  • Tree service companies that process removed trees
  • Local farms with woodland management programmes
  • Agricultural cooperatives

4. Finding Reputable Sellers Through Strategic Research

To find trustworthy sellers, you’ll need to do some research. Here are a few strategies you can use:

Online Directories

  • Check local business listings
  • Use Google Maps to search for suppliers
  • Look up industry-specific directories
  • Refer to council-approved supplier lists

Community Resources

  • Join neighbourhood social media groups
  • Participate in local farming forums
  • Visit community notice boards
  • Attend agricultural shows and markets

5. Value-Added Services Offered by Local Suppliers

Many local suppliers go the extra mile by offering additional services that add value to their products:

  • Free delivery within a specific radius
  • Wood stacking services for convenience
  • Seasoning guarantees to ensure optimal burning conditions
  • Mixed wood bundles for variety in heating

6. Building Relationships with Local Suppliers

Establishing relationships with local suppliers can open up opportunities for better deals and customised services:

  • Bulk purchase discounts for buying in larger quantities
  • Reserved seasonal stock during peak demand periods
  • Custom orders tailored to your specific needs
  • Regular delivery schedules for consistent supply

7. Networking Opportunities at Agricultural Shows

Agricultural shows provide excellent networking opportunities where you can meet firewood suppliers face-to-face:

  1. Inspect wood quality firsthand before making a purchase decision.
  2. Compare prices from different vendors to ensure you’re getting the best deal.
  3. Discuss specific requirements such as size or type of wood directly with multiple suppliers.

8. Professional Tree Services: A Source of Processed Firewood

Professional tree services often convert removed trees into firewood instead of letting them go to waste:

  1. These companies understand proper wood processing techniques which ensures high-quality end product.
  2. They can provide detailed information about the wood’s origin (where it came from), age (how long it’s been since it was cut down), and seasoning status (whether it’s already dried out or still needs time).

However, when seeking professional tree services, it’s crucial to ensure that they are licensed and

How Can Buying Firewood in Bulk Help You Save Money?

Purchasing firewood by the cord represents a significant cost advantage compared to buying smaller quantities. A cord measures 128 cubic feet, specifically stacked in a pile 4 feet high, 4 feet deep, and 8 feet long. This standardised measurement helps buyers understand exactly what they’re getting for their money.

Bulk firewood purchases offer substantial savings:

  • Volume Discounts: Suppliers often reduce prices by 20-30% for full cord purchases
  • Reduced Delivery Costs: Fewer trips mean lower transport fees
  • Price Protection: Stocking up shields buyers from seasonal price increases
  • Convenience Factor: Less frequent ordering saves time and effort

A single cord typically provides 6-8 weeks of heat for an average household using wood as their primary heat source. Many suppliers offer split pricing options:

  • Full Cord
  • Half Cord
  • Quarter Cord (Face Cord)

Buyers should note that some sellers use terms like “truckload” or “pile.” These non-standard measurements make price comparisons difficult. Insisting on cord measurements ensures fair value comparisons between different suppliers.

Smart bulk-buying strategies include:

  1. Coordinating with neighbours for shared deliveries, which can also help resolve any potential disputes regarding property lines as seen in this Reddit discussion
  2. Taking advantage of off-season pricing
  3. Negotiating multi-cord discounts
  4. Checking storage capacity before ordering

What Should You Look For To Avoid Overpaying When Buying Firewood?

Smart comparison shopping helps secure quality firewood at fair prices. A systematic approach to evaluating sellers prevents unnecessary expenses while ensuring value for money.

Essential Price Comparison Factors:

  • Base price per cord or fraction
  • Delivery distance and associated fees
  • Stacking services (if offered)
  • Minimum order requirements
  • Seasonal price variations
  • Wood species mix

Red Flags When Pricing:

  • Sellers who refuse to specify wood types
  • Prices significantly below market average
  • Hidden charges revealed after agreement
  • Reluctance to provide delivery details
  • Unclear measurement standards

Creating a detailed spreadsheet helps track multiple quotes and compare total costs effectively. Include columns for:

  1. Seller name and location
  2. Wood types offered
  3. Price per unit
  4. Delivery charges
  5. Additional services
  6. Total cost per delivery

Value-Added Services Worth Considering:

  • Free stacking
  • Guaranteed seasoning time
  • Mixed wood bundles
  • Regular delivery schedules
  • Quality guarantees

Local market research establishes reasonable price ranges for specific areas. Calling multiple suppliers and documenting quotes creates leverage for negotiation. Requesting references from previous customers validates both quality claims and pricing fairness.

Seasonal timing impacts prices significantly. Purchasing during spring or summer often yields better rates than peak winter demand periods. Some suppliers offer early booking discounts or storage options for advance purchases.

Working with established suppliers who maintain transparent pricing structures reduces the risk of hidden costs. Professional firewood merchants typically provide detailed invoices listing all charges upfront.

How Can Proper Storage Extend The Life And Quality Of Your Firewood Supply?

Storing firewood properly plays a crucial role in maintaining its quality and burn efficiency. A well-planned storage system protects wood from moisture damage and preserves its seasoning status.

Essential Storage Requirements:

  • Elevate wood at least 15cm off the ground using pallets or pressure-treated lumber
  • Create adequate airflow with space between wood rows
  • Position the storage area away from buildings to prevent pest issues
  • Install a sturdy roof or waterproof cover that extends beyond the woodpile
  • Select a location with good drainage to prevent water pooling

Optimal Storage Conditions:

  • South-facing placement maximises sun exposure
  • Covered top with open sides for ventilation
  • Single row stacking for enhanced air circulation
  • 5-10cm spacing between rows when multiple rows are necessary

Proper wood stacking techniques enhance the storage effectiveness. The traditional method involves creating a stable base layer and cross-stacking end pieces for support. This approach prevents collapse while maintaining essential airflow through the pile.

A dedicated storage area should accommodate a full season’s worth of firewood, allowing rotation of stock. This system enables newly acquired wood to season properly while seasoned wood remains ready for immediate use.

Regular inspection of stored firewood helps identify potential issues like mould growth or pest infestation. Removing affected pieces promptly prevents problems from spreading throughout the woodpile.

Quality Firewood

When Should Homeowners Consider Hiring Professional Tree Services In Relation To Their Firewood Needs?

Professional tree services play a vital role in safely converting problematic trees into valuable firewood resources. Homeowners should consider professional assistance in these specific situations:

1. Dead or Diseased Trees

  • Trees showing significant decay
  • Trees affected by pest infestations
  • Storm-damaged specimens

2. Safety-Critical Locations

  • Trees near power lines
  • Specimens close to buildings
  • Trees overhanging public areas

Professional arborists bring essential expertise to tree removal for firewood:

  • Proper assessment of tree health and structural integrity
  • Safe cutting techniques that protect property
  • Correct equipment and protective gear
  • Knowledge of local regulations and permit requirements
  • Efficient processing of wood into manageable sizes

The cost of professional tree services often balances out through:

  • Reduced risk of property damage
  • Prevention of personal injury
  • Proper sizing of logs for seasoning
  • Immediate access to fresh wood supply
  • Compliance with local council regulations

Licensed tree services also provide additional benefits:

  • Insurance coverage for the work
  • Professional clean-up services
  • Expert advice on wood storage
  • Recommendations for optimal drying times
  • Guidance on species-specific burning characteristics

What Are the Key Steps to Finding Quality Affordable Firewood?

Finding quality firewood at reasonable prices requires a strategic approach. Successful firewood sourcing combines these essential steps:

  1. Select the right wood type – hardwoods like oak and maple provide optimal heat output
  2. Verify proper seasoning through visual checks and moisture meter readings
  3. Maintain moisture content below 20% for efficient burning
  4. Source from reputable local suppliers such as sawmills and lumber yards
  5. Purchase in bulk quantities measured by the cord
  6. Store wood properly in a dry, elevated, ventilated space
  7. Consider professional tree services for converting fallen trees to firewood

Smart firewood buyers who follow these guidelines can enjoy warm, efficient fires without excessive costs. The investment in quality firewood pays dividends through better heat output, reduced smoke, and lower long-term expenses. Armed with knowledge about wood types, seasoning requirements, and reliable sourcing methods, homeowners can confidently secure their winter fuel supply while keeping their budget intact.

Top 8 Best 3/4 Electric Guitar Reviews 2023

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Electric Guitar Reviews

Are you obsessed with a 3/4 electric guitar but still don’t know which one is best for your needs and budget? To help you with, Carroll / Fletcher has listed the top best 3/4 electric guitar.

A 3/4 electric guitar is also called ‘mini,’ ‘traveler,’ or ‘short scale length’ guitar. It is a fantastic smaller sized guitar for almost everyone. For young children from 8 to 12 years old or maybe older, this 3/4 electric guitar is an excellent choice because it is very easy to handle. Young children can hold and play this guitar with no issues because they are designed for small hands. Besides, this kind of guitar is also great for professional players who would like to have one so as to carry it around easily during travel, or going on a long trip.

We have done some studies, read some reviews from customers and some guitarists about this 3/4 electric guitar and have narrowed down to just 8 guitars that we think you should consider buying. If you don’t know what types of guitars you need, then you should read our detailed reviews of 8 best 3/4 electric guitars below.

Quick Comparison: Best 3/4 Electric Guitar 2023

Squier By Fender Mini StratIbanez GRGM21 GIO MikroFender Kurt Cobain Jaguar NOS
Squier-by-Fender-Mini-StratIbanez-34-Electric-GuitarFender-Kurt-Cobain-Jaguar-NOS-rosewood-e1598629441595
$$$$$$$$
Best for beginners
Best For younger players
Best For traveling		Best for Younger rockersBest for Left-handed players

Detailed Reviews Of Top Best 3/4 Electric Guitar

Squier by Fender Mini Strat: Best 3/4 Electric Guitar for Kids (Ages 6-10)

Squier-by-Fender-Mini-Strat

Specifications:

  • 3/4-size body
  • 22.75″ scale length
  • 6-strings
  • 20-fret fingerboard
  • Maple neck
  • Three single-coil Stratocaster pickups with five-way switching

The Squier Mini Strat is an excellent electric guitar for children from 6 to 10 years old. Most new learners and travelers also use this guitar since it is very easy to use. The Squier Mini Strat has 22.75 inches scale length, which is a small scale length compared to a full-sized Stratocaster with 25.5 inches scale length.

Because this guitar has a shorter scale length with a small reach between frets, it will make us feel comfortable when playing and have a fantastic playing experience as well. Moreover, this guitar also has a slim body as well as a thin neck profile, which all makes the instrument lighter and easier, comfortable to play. This is a wonderful guitar for players who have smaller hands.

The three single-coils set up, and the controls make it look like the Squier Bullet-its big brother. When plugged in, it is able to generate a high tone. Ranging in color and hue, Rosewood ordinarily has deep rich browns with some highlights colors such as orange, green, purple, and yellow. This Strat has comfortable body contours so that we can play more easily. Besides, Rosewood-capped genuine maple neck which makes the instrument ring true. This guitar also has a 6-saddle hardtail bridge that allows for stable modulation along the fretboard.

Some professional players who are obsessed with the smaller sized guitar may want to use this guitar for some reasons. The guitarists may feel convenient using this small guitar because they can bring it anywhere, anytime, and on any occasion, such as going to school, going on a trip, going camping, traveling around or just hanging out with some friends. Besides, most guitar players who have back injury may find it hard to handle the weight of some guitars like a Les Paul for a long time, so that they choose to play the lighter one like this Squier Mini Strat.

One more outstanding feature of this guitar is that we can replace the tuners and the strings easily, and this guitar stays in tune perfectly, which means it plays as well as other guitars.

Overall, the Squier Mini Strat Electric Guitar is a totally capable starter electric guitar, with only a smaller size.

Squier Classic Vibe Telecaster ’50s Electric Guitar

Squier Classic Vibe Telecaster ’50s Electric Guitar has vintage styling with a customary single cutaway. It has a pine body with a maple neck. The hues for the Vibe are somewhat restricted, with just Butterscotch Blonde and Vintage Blonde for ’50s models or Sunburst when you buy this Squier Classic Vibe Telecaster Custom model.

Squier-Classic-Vibe-Telecaster-50s-Electric-Guitar

The first outstanding thing of this Classic Vibe is its playability. The neck is quite smooth, and the switches and handles are comfortable and straightforward to control. This Classic Vibe sounds amazing for a wide range of music styles. It remains in tune well and has amazing inflection directly out of the crate. Broadcasters are known for a sort of twangy sound, and you can undoubtedly hear a sort of twangy sound on this Vibe because Telecasters are well-known for this sound.

The pickups are generally excellent, although you have to know that Butterscotch Blonde has an unexpected pickup in comparison to the Vintage Blonde. This 3/4 electric guitar also comes equipped with vintage-style tuners with a split shaft, and The three vintage-style Tele seats connect with metal barrel saddles. This Classic Vibe is one of the best 3/4 electric guitars that has a high-quality structure. There are no sharp frets, and it has a flawlessly done maple neck.

However, there is one drawback of this Classic Vibe that the weight. It is maybe a little on the substantial side for certain individuals. On the off chance that you are searching for something lightweight, this probably won’t be the great choice for you.

Overall, this Classic Vibe is quite expensive for a learner guitar; however, it will have incredible resale esteem if your kid or teenager chooses not to stay with learning, so the hazard is insignificant. If you get your kid an excellent guitar, it will initially make figuring out how to play that a lot simpler. Your children will realize that you believe them with a tolerably costly guitar, and they will pay attention to learning and feel pride in having a delightful instrument. This Classic Vibe is among the best 3/4 electric guitars that is suitable for young children and those with small hands.

Gibson SG Special

Gibson-SG-Special

The Gibson SG Special is another best 3/4 electric guitar, which is a great, flexible guitar from Gibson. Gibson is well-known as the best guitar manufacturing, which makes incredible guitars, and this SG Special version is one of their best 3/4 electric guitars. It has a 24.75 inches scale length so that it is shorter than typically estimated guitars, which is suitable for those with small hands. This Gibson SG Special guitar has a great design for those with small hands. It is accessible in two hues, sported earthy colored and glossy silk cherry, and both look astounding.

This SG Special is one of the best 3/4 electric guitars that numerous individuals feel when they see and attempt it. It looks incredible, sounds great, and is useful for small hands individuals. You can look at the Epiphone SG uncommon for a less expensive option in contrast to the Gibson SG Special. However, the construct and sound quality aren’t as good as the Gibson SG Special.

Ibanez GRGM21 GIO Mikro Electric Guitar

Ibanez-GRGM21-GIO-Mikro-Electric-Guitar

This Ibanez GRGM21 GIO Mikro is another perfect Electric Guitar for beginner shred guitarists. This guitar has a thinner body with the same high-output pickups, like most other Ibanez guitars. The Ibanez Mikro is an excellent choice for everyone, especially for young rockers, because they may need a guitar with a compact ax or a comfortable smaller neck to help them play more comfortably.

Well, we have to inform you that this guitar is inexpensive, so it does not have good sound quality. Therefore, there is no hope to expect good quality at this price. However, this one is also a great guitar for young children. And, when your child is older and shows more talent in playing guitar, then you should upgrade to a greater and more expensive guitar.

Best Budget Kids Electric Guitar Packages

If you are tightening your belt and really want to learn how to play guitar as soon as possible, then a package is a marvelous electric guitar for you to consider when looking for a budget-friendly guitar. Well, it depends on your demands, this package is divided into 2 kits: single-coil and humbucker pickups.

Best-Budget-Kids-Electric-Guitar-Packages

The SX RST Stratocaster Kit on the left of the picture above is the first kit that we would like to mention. This guitar must be a great selection to your collection as it is a typical all-rounder package, and it can handle several kinds of music except for heavy rock and metal. The second one that we would like to consider is the humbucker- equipped Sawtooth bundle on the right side of the picture. This one is one of our top friendly-budget bundles for young children who like to rock out that a bit heavier and difficult.

Overall, the two kits we have mentioned above all have the exact same cost with a bit over 100 dollars. These guitars all have everything you need to begin to play guitar like practice amp, tuner, strap, lead, etc. All you just have to do now is choose your favorite color, and if you love playing guitar and have the patience learning how to play it, we sure you will properly be playing the guitar well in no time at all.

Buying Guide for Best 3/4 Electric Guitar

Three Quarter vs Full Size

We first have to inform you that it is ridiculous to think that a three-quarter size means the tone is fake. This 3/4 sized electric guitar is designed with a shortened length scale, body size, and lightweight, which helps the players, especially the young to concentrate on technique without being overwhelmed by the instrument’s size.

These guitars are lightweight and very easy to carry around which makes them the most suitable for professional guitarists who would like a more compact, better quality electric guitar for playing on a trip or traveling around.

Best-Electric-Guitar

Even if your kids may love and insist on buying a full-sized guitar, it is better to go for a smaller sized one like this 3/4 electric guitar. Because with a small one, the kids are able to hold and play it comfortably. Well, you have to stay in mind that you will also get a good quality guitar with a great tone in both full-size and 3/4 electric guitars. For example, most guitar manufacturing companies that make full-size and 3/4 sized guitars, offer precisely the same number of frets (usually 22) on both these kinds.

The only main difference between these types is the three-quarter has a shorter scale length. The structure of these 3/4 electric guitars are the same with their full-sized fellows. These guitars are appropriate for children who are at the age of 8 to 12. However, If you are older, then a full-sized electric guitar would be your best choice, and if you are younger, then a half-sized electric guitar may be more suitable for you.

Well, it’s just a guideline from us, and if you want to choose the best guitar for you, it all depends on your needs.

Go Online for Lessons & Inspiration

Once you find a fantastic guitar that suits your needs, then the next step is learning how to play the guitar. You can search on YouTube or the Internet for guitar lessons for beginners or watch many guitarists playing on the amazing 3/4 guitars. When you play these guitars, you will be surprised at the quality of the guitar’s sound.

Final Thoughts of Best 3/4 Electric Guitar

Compared to those 8 3/4 electric guitars on our list, we finally choose this Squier by Fender Mini Strat as our best choice. We choose this one because of its variable upsides. It is suitable for those with smaller hands and those who love traveling around. It stays in tune and fits in almost every plane compartment. One outstanding feature of this guitar is that beginners, younger players, and even travelers can use it easily with no issues.

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Best Electric Guitars Under 1000 And What Is The Best Choice For You?

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Best Electric Guitars Under 1000

Are you still in trouble with finding a suitable electric guitar under 1000 that meets your requirements? Carroll / Fletcher is here to help you by listing the 15 Best Electric Guitars Under 1000. Even though you are on a tight spending plan, you can still have the chance to choose many perfect electric guitars.

Regularly with regards to instruments, you can’t expect spending fledglings’ instruments to be in the same class as the best ones that cost tenfold the amount; however, it doesn’t imply that there aren’t deals to be looked for. Daze test recordings have gotten mainstream, where you can tune in to costly instruments and modest electric guitars and check whether you’re ready to figure out which will be an expensive guitar and a cheap one. Some of the time you can truly hear a distinction between them, yet on different occasions, it’s difficult to listen, and the value contrast doesn’t coordinate the sound contrast.

We have read some guitarist’s reviews of some best electric guitars under 1000 and have narrowed them down to just the 15 best electric guitars under 1000 that we think you should look at closer. We hope you can find the best electric guitar under 1000 after reading our detailed reviews, a summary table, and a buying guide below.

Best Electric Guitars Under 1000 Comparison 2023

Fender American Special TelecasterEpiphone Les Paul Cherry SunburstGretsch G5420T Electromatic Hollow Body
Epiphone Les Paul Cherry SunburstGretsch G5420T Electromatic Hollow Body
$$$$$$$$
Best for Country, rock, bluesBest for Vintage-style loversBest for rock ‘n’ roll and rockabilly fans

Detailed Reviews Of Top Best Electric Guitars Under 1000

PRS SE Custom 24 Floyd

PRS SE Custom 24 Floyd

SE Custom 24 Floyd is an affordable alternative option to the great PRS Series “Floyd” Custom 24, with the same general vibe and construction for players who don’t have much money to get a guitar with more than three thousand. Similar to the original Custom 24, this SE Floyd has a 25 inches scale length with a perfect combination of a rosewood fingerboard with 24 frets and a maple neck with a gloss finish.

It also features a mahogany body with a maple top and on this Custom 24’s version, the maple is a veneer rather than a solid slab. There are humbuckers pickups that are controlled by a three-way sharp selector instead of a five-way switch, ace volume handle, and great tone with a push/pull coil-splitting capacity.

Furthermore, this SE Floyd has better playability and tone than the early forms of the Custom 24 that PRS produced in the 80s. This guitar is surely shred-worthy as it has a wide slim neck outline and Floyd Rose tremolo. However, its appearance and tone will certainly satisfy vintage lovers. Combined with a high-gain amp, the SE humbuckers can create amazing metal tones, but the guitar can also go in many extraordinary ways through a perfect amp setting with the coils split, which gives real twang and soul-filled bite. It is an amazingly adaptable electric guitar that can deal with three or four distinct models and can have a better performance.

Overall, PRS SE Custom 24 Floyd is among the best electric guitars under 1000 with lots of outstanding features, including great playability and tone.

ESP LTD EC-1000

ESP LTD EC-100 is one of the best electric guitars under 1000 that has a lot of outstanding features. This EC-100 has a 24.75 inches scale length with a great combination of a mahogany body, a mahogany neck, an ebony fingerboard with 24 extra-jumbo frets, and various beautiful finish colors.

ESP LTD EC-1000

It also has a lightweight which makes it easy to carry since you can simply bring it with you during traveling or going on a tour. The pickups are EMG 60/81 which are controlled by two volumes, a nice tone and a three-way selector. This guitar’s hardware is a Tonepros TOM bridge and tailpiece.

Although the body shape may be simple and familiar to you, we surely inform you that the EC-100’s tones are definitely not. Well, you can get substantial sounds out of a Gibson Les Paul; however, when you need more extras, this EC-100 will get you into some genuinely outrageous tone. The pair of dynamic EMGs won’t be profoundly desired by more polite players.

However, for anybody hoping to join genuine gain to their arrangement, they could do more regrettable than take into account one of these overall veterans of the scene. This electric guitar has great installations and fittings, which make this a genuine guitar with a long life-span. We are obsessed with the vintage dark design because of its glossy silk smooth completion and tasteful gold equipment.

Overall, This ESP LTD EC-1000 is a perfect guitar under 1000 is among the best electric guitars under 1000 with a fantastic design, beautiful colors, and an amazing tone, making it a good choice for you to consider.

Fender American Special Telecaster

Fender American Special Telecaster is another best electric guitar under 1000 from Fender Standard. This guitar has two Texas Special Tele pickups and it is ideal for incredible American musical styles, such as country, rock, and blues. This Special Telecaster blues guitar has a dazzling alder body and a maple neck. Quite similar to the 50’s Stratocaster, it also has a vintage appearance, but the Vintage Blond version we are mentioning in this article looks vintage in a cooler and less romantic way.

Fender American Special Telecaster

The sound of this vintage-style guitar is most likely the best among all guitars we have listed, at least when you would like to play the music that needs a customary electric guitar sound, then this Telecaster must be your first consideration. It also works well for pop, so the only sort of music that it is not very helpful for is the stronger and heavier musical styles.

Overall, Fender American Special Telecaster is one of the best electric guitars under 1000. It has many outstanding features, especially its amazing sound and a beautiful appearance. With an affordable price, this guitar is absolutely a great choice for guitar lovers with low-income.

Epiphone Les Paul Cherry Sunburst

Epiphone Les Paul Cherry Sunburst is another budget-friendly electric guitar that we want to mention on our list. This Les Paul’s version is quite comparable with the early Les’1952 and it certainly resembles the genuine guitar.

Epiphone Les Paul Cherry Sunburst

Epiphone has two Alnico V humbucker pickup designs and you can change the tone and volume on both these two pickups. It includes a LockTone Tune-o-Matic bridge and a Stop bar rear end. It additionally features a mahogany body and a rosewood fingerboard with a maple top which is lighter and thinner than numerous electric guitars, which is an excellent design as there is no need to have this additional weight. This guitar is also very easy to carry because of its lightweight; therefore, guitar players who love traveling or going on a trip can bring this guitar with no issues.

Epiphone is proven as one of the famous instruments manufacturing businesses that has been making guitars for a long time. Therefore, you can easily feel the high-quality and vintage-style of the Epiphone Les Paul electric guitar. Even though it is an excellent and high-quality guitar, you will be surprised that it is also an affordable guitar because it is quite less expensive compared to other electric guitars in its class.

Overall, Epiphone Les Paul is a real bargain electric guitar having a lot of outstanding features that may suit your needs. So if you need an electric guitar with great quality and under 1000 price giving you the ability to carry around comfortably, Epiphone Les Paul is perhaps the best one.

Yamaha Revstar RS502T

Yamaha Revstar RS502T is an impressive electric guitar under 1000 as it has a lot of special attractions. It has a well-known guitar model as it is proven to be intensely affected by Les Paul’s ideal design. Therefore, it resembles some of Les Paul’s features, such as a 24.77 inches scale length, a couple of P-90 style single-curl pickups, and a perfect combination of a mahogany body with maple cap, a mahogany neck, and a rosewood fingerboard with 22 frets.

Yamaha Revstar RS502T

However, this Yamaha Revstar has also presented a lot of amazing developments which makes it different from the early Les Paul’s design. It has ace volume, ace tone controls, and the tone control pulls up to join in Yamaha’s detached Dry circuit that moves off frequencies below 2kHz by about-5 to -10 dB to upgrade lucidity.

The VP5 single-curl pickups designed by YGD which is short for Yamaha Guitar Development include alnico V magnets, a German silver baseplate, and plain polish wire. Moreover, the sleek completion is most likely the coolest shade of British hustling green ever.

The RS502T is a daring and courageous electric guitar, similar to a decent P-90-prepared guitar ought to be, with complex upper midrange music and tight low-end smack, in addition to amazing reverberation and stability from the gliding rear end. Drawing in the Dry switch takes the pickups towards the fat Strat region but with more body and midrange punch.

Overall, Yamaha Revstar RS502T is an economical electric guitar (under $1000) for those who don’t have much money to buy and try out its great playing experience.  When you have a long-term attachment to this guitar, it can take you to a whole new level of good quality with sweet tunes.

Charvel Pro Mod So-Cal Style 1 HH FR

The Charvel Pro Mod So-Cal Style 1 HH FR is another best electric guitar under 1000 that we want to show you on our list. It is significant that musical styles and trends have developed rapidly since the 80s; however, the Charvel’s excellent guitars still impressed a lot of guitar players, especially the great armada fingered guitarists. The Charvel Pro Mod So-Cal Style 1 HH FR is the original, stripped-down superstrat with a marvelous finish that will knock some people’s socks off, yet with a reasonable cost under 1000 that will not let you down.

Charvel Pro Mod So-Cal Style 1 HH FR

This HH FR has 25.5 inches scale length with a wonderful mixture of a birch body, a two-piece maple neck with graphite reinforcement, and a 12 to 16 inches maple fingerboard radius with 22 frets. It also has a heel-mounted wheel for altering the neck on the graphite reinforcement bracket bars. This guitar is also furnished with a Floyd Rose twofold bolting tremolo and a couple of Seymour Duncan pickups, a great volume, a nice tone, and a three-way sharp edge selector.

Moreover, this Charvel version’s high-quality pickups transform any unassuming intensifier into a fire-breathing brute. At the point when played with huge amounts of contortion the Duncans sound colossal, with a fat base end, warm mids, and burning highs. The curl tap on the volume handle is an amazing touch to get a more brilliant beat on cleaner settings. The mix of the hot-rodded pickups, hand-scoured neck, and Floyd Rose twofold bolting tremolo make the Charvel Pro-Mod So-Cal Style 1 HH FR a road deadly, the fretboard-hustling machine played at a very fast speed.

Epiphone Les Paul Standard PlusTop Pro

The Epiphone Les Paul Standard PlusTop Pro is another under 1000 electric guitar including all the recognizable highlights of an original Les Paul Standard that we suggest you spend time looking at.

Epiphone Les Paul Standard PlusTop Pro

Like the classic Les Paul, this Epiphone PlusTop Pro also comes equipped with double humbuckers, 25.75 inches scale length, and a magnificent combination of a mahogany neck and a mahogany body with a maple cap. However, it also has other distinct features including the apparent adaptability of loop tapping and the magnificence of a fire maple veneer top on the body.

Execution insightful, the PlusTop Pro makes us feel familiar, just like an old companion. The neck profile has the convenient, thin profile of a mid 60s neck, and an excellent in the fretwork. This electric guitar also comes with the ProBucker pickups that are consummately dialed in to give the perfect stability between lucidity and warmth. It also has responsive assault, smooth support, and a fat midrange, giving this guitar a striking, emphatic voice.

At the point when the curls are part, the high pitch is upgraded, yet the general tone is still fat resembling the P-90 that permits you to get Burst and Goldtop tones from a similar guitar. This straightforward element improves the adaptability of the Les Paul structure while keeping up its great attractiveness.

Fender Deluxe Roadhouse Stratocaster

The Deluxe Roadhouse Stratocaster is moderately-valued and resembles a great Strat that gestures towards the last part of the Sixties in general vibe.

Because it has larger size than a usual headstock with 25.5 inches scale length, a maple neck, and 22 frets on a maple fingerboard, two Synchronized Tremolo with vintage-style twisted steel saddles, and three single-curl pickups.

Fender Deluxe Roadhouse Stratocaster

In any case, as its Deluxe name implies, it comes with various execution improvements, such as Vintage Noiseless pickups, Deluxe locking tuners, a molded neck heel, and custom hardware. It also comes equipped with a pushbutton S-1 switch and a nice volume control handle and contains a preamp and a six-position V6 revolving switch altering the mid-tone handle.

The S-1 switch connects with the preamp, six unique and unmistakable tone settings are accessible, going from fat lead tones with upgraded midrange to shining rhythm tones with a smooth high pitch.

The original tone of the Deluxe Roadhouse is equivalent to many other modern Strat models today, with a noticeable midrange sound, high pitch shimmer, and round, percussive bass. And when the S-1 switch is up, the output level increases by a couple of dB. In this mode, the V6 switch does a noteworthy job in the general tone. Moreover, the midrange is fat and improved thanks to the switch at the setting turning the tone control to “10,”. When the settings are turned down, the midrange is continuously scooped down and high pitch and bass frequencies are more distinguishable.

Overall, Fender Deluxe Roadhouse Stratocaster is among the most affordably-priced electric guitars that is worthy for players who would love to try out a wide range of Strat tones.

Jackson X Series Monarkh SCX7

Jackson X Series Monarkh SCX7 is proven as a well-proportioned single-cutaway model that the majority of people would expect from the last style of Jackson’s guitar and that is actually what you will get with the Monarch. Monarch is a smooth, hot-rodded shred machine with 25.5 inches scale length, a strong mahogany body, a maple neck with a dim rosewood fingerboard, and 24 frets. It also has pickups including a Seymour Duncan Sentient at the neck and a Seymour Duncan Nazgul at the scaffold.

Jackson X Series Monarkh SCX7

Although this SCX7 probably seems not similar to other Jackson guitars that we’ve known, it positively makes us feel like one. Though the body is as thick as the typical great single-cutaway versions, this Monarkh is extremely thin and smooth thanks to its paunch shapes and a liberal scoop at the cutaway on the rear of the body. The neck which resembles Jackson’s thin and fast design is hard rock because of the graphite backup. The cutaway form additionally gives an easy approach to the higher frets.

Furthermore, the SCX7 produces an executioner Jackson tone, with the Duncan humbuckers discharging rich, natural sounds with flavorfully substantial bass and well-spoken high pitch.

Overall, if you love the vibe of a hot-rodded Jackson guitar but you are more pulled in to the attractive bends of a solitary cutaway solid body, then this Monarkh SCX7 is the moderate solution to your fantasies.

Buying Guide-Best Electric Guitars Under 1000

Due to the cost of the instrument going up, the nature of woods, parts, structure, and equipment rise up too. We have to inform you that body woods ought to never be a central factor when choosing an electric guitar because nowadays, there are still some less expensive woods, for example, basswood and birch which can be found in pricey mark models.

Buying Guide-Best Electric Guitars Under 1000

Nonetheless, on the off chance that you do hold certain tonewoods in high respect, you’ll be satisfied to see an expansion in woods, including mahogany and maple utilized in bodies, while you’ll likewise discover distinctive neck and fretboard materials, including midnight utilized all the more habitually.

The next thing to consider when buying an electric guitar is choosing one contingent upon your style. In this way, you will have a more extensive scope of pickups on offer in this value section, including brand names rather than more nonexclusive maker made pickups.

You will additionally discover the appearance of dynamic pickups, which can deliver dangerous sounds and have a gigantic yield that is ideal for the heavier rockers and metal players.

This under 1000 price point goes likewise gives you an extraordinary selection of guitars offering smoother looks and sounds, including retro-roused plans and vintage-style segments, just as empty bodied guitars.

Moreover, if you like an electric guitar with well-known brands, for example, Fender and Gibson have some stupendous contributions in this under 1000 class. However, you should not sidestep Ibanez, Dean, Kramer, Schecter, and even the customarily spending producers like Epiphone, who all have some genuine competitors at costs their adversaries will battle to coordinate.

best-electric-guitar-under-1000

Final Thoughts of best electric guitars under 1000

Compared to those 15 best electric guitars under 1000 on our list, we finally choose this Epiphone Les Paul Cherry Sunburst as our best choice. We choose this one because of its variable outstanding features. The first amazing feature of this guitar is that it is an affordably-priced electric guitar with under 1000 price point. With this price range, everyone with a lower income can easily buy one to learn how to play, or even buy as a gift to kids.

Moreover, It is a great guitar that sounds similar in the same class as other best electric guitars under 1000, and it closely resembles it would be considerably more costly than it is. Last but not least, this Epiphone is lightweight that we can play while holding it up comfortably; and we can also carry it around easily during a trip or traveling.

Purchasing the best electric guitar under 1000 is a brilliant decision as you’ll have something you can play for a long time. Guitars at this price range are certainly worth the money and will be something you enjoy playing for years.

There is a wide range of best electric guitars under 1000. When you buy an electric guitar with this price point, it might have some problems when you use it. If your guitar has some problems and you don’t want to ruin it by fixing it yourself, we recommend you look for a guitar tech to help you. You should care about the insurance to protect your instrument, even if it is a budget-friendly electric guitar.

We finally hope you can find the best electric guitar under 1000 that suits you the most after reading our review article. 

Thank you for reading this far! I hope that the information provided in this article will be helpful to you.

  • Don’t forget to share your thoughts about best electric guitars under 1000 at the comment box below!

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John Akomfrah: Hauntologies

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John Akomfrah: Hauntologies

John Akomfrah – Peripeteia (trailer), 2012

Peripeteia takes as its starting point two drawings by the sixteenth century artist Albrecht Dürer. The portraits are among the earliest Western representations of black people, their existence now “lost to the winds of history”.

A Smoking Dogs Films Production, in association with Carroll/Fletcher and the European Cultural Foundation.

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Basel Abbas and Ruanne Abou-Rahme: And yet my mask is powerful

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Basel Abbas and Ruanne Abou-Rahme

And yet my mask is powerful (2016) marks Basel Abbas and Ruanne Abou-Rahme’s first major solo show at Carroll / Fletcher, and their most ambitious presentation in the UK to date. The project’s multimedia installations feature new video and sound material, as well as found and fabricated objects ranging from plants collected on location to replicas of the world’s oldest masks dating from the beginning of the Neolithic Era.

Drawing on a visual and aural lexicon refined by Abbas and Abou-Rahme in their critically acclaimed project The Incidental Insurgents (2012-2015), And yet my mask is powerful offers an immersive experience conceived as a counterpoint to today’s all-pervasive imagery of crisis. In this piece, the artists use the site of trauma as a crucible, a place from which to imagine an alternative narrative, informed by the past but turned towards the future.

First the air is blue and then

it is bluer and then green and then

black I am blacking out and yet

my mask is powerful

It pumps my blood with power

The clearing. We find ourselves in the wreck once again and then again. A perpetual crisis leaves us suspended at ground zero. The potential to radically re-imagine the world, so palpable only a blink of an eye ago, now tastes bitter in our mouths.

Basel Abbas and Ruanne Abou-Rahme

Neolithic masks found in the West Bank and stored in private collections are hacked and 3D-printed. Copies circulate in Palestine, eerily akin to a black ski mask. A group of youths wear them at the site of a destroyed Palestinian village in Israel. Becoming other, becoming anonymous, in this accidental moment of ritual and myth. Initiating a series of trips to possess and be possessed by these strangely living sites of erasure and wreckage. Only now, returning to the site of destruction as the very site from which to cast a new projection that evokes the potential of an unrealised time, not bound by the here and now or there and then. A parallel time that is not occupied, a virtual time that is not “our” time.

And yet my mask is powerful confronts the apocalyptic imaginary and violence that dominates our contemporary moment, an apocalyptic vision that seems to clog up even the pores in our bodies. Taking Adrienne Rich’s poem Diving into the Wreck as the beginnings of a script, And yet my mask is powerful asks what happens to people / place / things / materials when a living fabric is destroyed. How in the face of such violence can we then begin to retrieve and reconstitute living matter from the wreck itself? The project uses the trips taken by young Palestinians to sites of destroyed villages as an avatar to think about the possibility of using the site of wreckage as the very material from which to trace the faint contours of another possible time. Materials are taken from the sites: plants, flowers, stones, bits of garbage. Other objects, particularly tools used for either building or destroying things, are cast into the work, either by themselves or projected into the sites. Caught in a play of scale, magnified by the video projections, these things create a disjuncture between the thing itself and its shadow, what is and what could be.

Basel Abbas and Ruanne Abou-Rahme

In its intersections between performativity and ritual, body and artifact, thingness and virtuality, And yet my mask is powerful begins topiece together a counter-mythology to the dominant mythologies of the present. A counter-mythology that holds on to our imaginative space as the last terrain to be colonised. The layers of images, text, sound and things perform and activate various forms of returns, flash-forwards and déja-vus unfolding in this gesture a dense story of erasures and reappearances, dispossession and resistance, the archaic resonating in the contemporary.

–       Basel Abbas and Ruanne Abou-Rahme, Summer 2016

Basel Abbas and Ruanne Abou-Rahme are showing Only the beloved keeps our secrets, produced for the Abraaj Group Art Prize 2016, at Tyneside Cinema in Newcastle, UK from 10 September to 24 October 2016. On 9 October, the artists will discuss their practice with Tyneside Cinema’s film curator Elisabetta Fabrizi.

The artists are also showing a version of And yet my mask is powerful as part of NERIRI KIRURU HARARA, SeMA Biennale Mediacity Seoul 2016, South Korea, from 1 September to 20 November 2016. 

Basel Abbas and Ruanne Abou-Rahme

Basel Abbas (b. 1983, Nicosia, Cyprus) and Ruanne Abou-Rahme (b. 1983, Boston, US) live and work between New York and Ramallah. They are the 2016 recipients of the Abraaj Art Prize. Solo exhibitions include ICA, Philadelphia, USA (2015); OCA, Oslo, Norway (2015); AKW, Cologne, Germany (2014); and New Art Exchange, Nottingham, UK (2011). Selected group exhibitions include the 12th Sharjah Biennial, Sharjah, UAE (Recipients of the Sharjah Biennial Prize, 2015); 10th Gwangju Biennale, Gwangju, Korea (2014) and 31st Sao Paulo Biennial, Sao Paulo, Brazil (2014).

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Eva and Franco Mattes: Abuse Standards Violations

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Eva and Franco Mattes: Abuse Standards Violations

Eva and Franco Mattes’ exhibition Abuse Standards Violations investigates the dark side of the Internet. In a new series of video installations, the New York-based duo exposes the vast amount of unpalatable material kept away from our screens by an army of underpaid workers, while offering a bizarre but telling glimpse into the lives of an ever-growing, dispersed global workforce.

Dark Content (2015-ongoing), the centrepiece of the show, probes into the Internet’s most secret corners by looking closely at the largely anonymous labour force of content moderators that has emerged with the rise of social media. Content moderators are in essence the gatekeepers to any material accessed online. Their role is to screen all uploads according to specific corporate standards of propriety: making sure beheadings and gang rapes don’t crop up in our Facebook news feeds, and nipples don’t surprise us on Instagram. Along with the major corporations that employ them, these de facto patrols of the Internet shape our daily existence. With each ‘yes’ or ‘no’, they edit the experience of our culture in the name of many different forces: political, moral, ethical, even religious. Once the offending material has been removed, it’s virtually impossible to know it was ever there.

Content moderation is for the most part a very discreet service as the companies who hire this workforce seek to present themselves as free and transparent tools of self-expression. The moderators in turn often hide their work from their friends and families, preferring not to acknowledge the kinds of things they are required to witness everyday. Over a period of more than a year, the Mattes interviewed a number of them about their work. These conversations developed into a series of video episodes – first released on the Darknet – with the interviewees’ identities withheld through the use of voice software and stock avatars, a further distancing from both the person and the content itself. Each video is displayed in sculptural surrounds made from mass-produced office furniture, alluding to the home offices and identikit office cubicles around the world where this work often takes place. Alongside, a new series of wall-mounted insulation panels are printed with corporate moderation guidelines that were leaked to the artists in the course of their investigations. They serve as a reminder that this act of filtering and ‘safeguarding’ is always a reflection of the ideology of the organisation commissioning it.

See Also – A.R. Hopwood: False Memory Archive

Eva and Franco Mattes: Abuse Standards Violations

By Everyone For No One Every Day (BEFNOED, 2014) also calls attention to a new form of labour in the digital age. For this series, the artists used a range of crowdsourcing websites to give instructions to anonymous workers to realise a variety of absurd performances for webcam. The artists laid out instructions for them to follow and interpret. Once received, the videos are dispersed on obscure, peripheral or forgotten social networks around the world. While for Dark Content the artists act as a sort of confidante, here their position is more complex, as their unusual demands appear to both entertain and exploit their performers. In the gallery, the placement of the monitors in the space is such that, in order to watch the work, viewers are forced into a series of physically awkward and bizarre positions, in a sense taking on the role of performers themselves.

In much the same way that the performances are crowd-sourced in BEFNOED, the production of their series Image Search Result (2014-ongoing) is entirely outsourced to the Internet. For each work on display, the artists have selected a search term from their personal browsing history in their preparation for this exhibition. Adopting an idea purchased from a fellow artist, they take the first image a search engine yields for that term and have it printed on a range of objects by online custom printing services. Once produced, the objects are delivered directly to the exhibition venue, where they are unpacked, exhibited and seen by the artists for the first time.

Eva and Franco Mattes share a long-held fascination with the invisible. In Emily’s Video (2012), they show a disturbing video sourced on the Darknet only through the reactions of its viewers. They’ve also programmed a computer virus (Biennale.py, 2001), and co-curated an inaccessible exhibition in the Fukushima exclusion zone (Don’t Follow The Wind, 2015). For the New York-based duo, what’s concealed is often what matters most.

Eva and Franco Mattes: Abuse Standards Violations

Eva and Franco Mattes (b. 1976, Italy) live and work in New York, USA. Recent solo exhibitions include I Would Prefer Not To Include My Name, Essex Flowers, New York, USA (2015); Breaking Banality: The Dysfunction of Remediation, Feldman Gallery, Portland, USA; By Everyone, For No One, Everyday, Postmasters, New York (both 2014); Emily’s Video, Carroll / Fletcher, London, UK (2013); Anonymous, untitled, dimensions variable, Carroll / Fletcher, London (2012); and Lies Inc., Site Gallery, Sheffield (2011). Group shows and biennials include the 20th Biennale of Sydney (as part of Don’t Follow the Wind), Sydney, Australia; Electronic Superhighway and Artists’ Film International, Whitechapel Gallery, London (all 2016); Big Bang Data, Somerset House, London; 2050. A Brief History of the Future, Royal Museums of Fine Arts of Belgium, Brussels (both 2015); Performa, New York; MoMA PS1, New York (both 2009), New Museum, New York (2005); NTT ICC Museum, Tokyo, Japan (2004); Manifesta, Frankfurt (2002); and the Venice Biennale (2001). In 2016, they were recipients of the Creative Capital Award. 

Carroll / Fletcher supports established and emerging artists whose work transcends traditional categorisation, using diverse media in order to explore socio-political or technological themes. From rising talents such as Constant Dullaart, Mishka Henner, and Basel Abbas and Ruanne Abou-Rahme, to interactive installation artist Rafael Lozano-Hemmer, and computer art pioneer Manfred Mohr, the gallery represents an international range of artists who use interdisciplinary research and broad means to produce work that reflects on and provides insight into contemporary culture.

To download a pdf of the press release, click here.

Neoliberal Lulz: Constant Dullaart, Femke Herregraven, Émilie Brout & Maxime Marion, and Jennifer Lyn Morone

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dulltechtm-dulltechtm-flag-2015-courtesy-of-the-artist-and-carroll-fletcher-london

The birth of conceptual art has long been associated with the collapse of the gold standard in 1971. With one decision, the value of the dollar was no longer backed by the intrinsic value of a physical commodity, but instead became immaterial, opening financial markets up to greater speculation and volatility. At the same time, contemporary artists adopted similar tactics, distancing themselves from objects in order to avoid the forces of the market. Yet, these market forces are all-pervasive. With each downturn and recession, it has become ever more apparent that a handful of investment banks and corporations hold immense power over our everyday lives. Neoliberal Lulz brings together work by five artists who interrogate this relationship and respond by adopting corporate strategies to their own ends.

Constant Dullaart’s business DullTech™ exists as a fully-fledged technology start-up. The DullTech™ Media Player is, in the words of its inventor, a ‘smart, hassle-free, plug-and-play USB-friendly media player that works on all screens and syncs without problems or cables.’ Conceived in 2012 during the artist’s residency at OCAT Shenzhen, China, DullTech™ grew out of a frustration with the common difficulty for syncing video files across diverse hardware. Dullaart decided it was time for a media player that could make life simple, one box which could ‘get rid of remote controls, expensive AV professionals, stress and drama.’ DullTech™ is at once both a hardware start-up and a performative artwork. It creates technologically simplified or ‘DULL’ products as a form of radical corporate production, both in tune with and subverting this age of high-efficiency capitalism. A retort also to the rise of ‘cool-hunting’, which sees industry stealing creative ideas from artists and pitching them back as trends, Dullaart’s ‘DULL’ technology circumvents this dynamic from the outset. The artist is at once the creative, developer, marketeer, and venture capitalist, placed to cash in on any commercial success.

Neoliberal-Lulz

Going one step further, Jennifer Lyn Morone has incorporated her person as a registered company Jennifer Lyn Morone™ Inc, with 10,000 shares available for purchase on the occasion of the exhibition.  Corporations enjoy many human rights and have a variety of privileges not extended to individuals, and so Morone has addressed this imbalance by engineering a new business model for her own ‘human corporation’. Describing the contemporary condition as one of ‘data slavery’, Morone responds to the multi-billion dollar personal data industry by reclaiming the individual’s right to the data they produce. JLM™ Inc is currently developing a software called DOME (Database Of ME) which will allow users to collect, track, analyse and monetise the data they generate. Taking direct ownership over her own personal data, Morone offers it for sale in categories including demographic, lifestyle or health, among others. Her identity is also fully branded, with trademarks applying to not only the company name but also the smile, sound, gait and image of Jennifer Lyn Morone. As the business grows, JLM™ Inc looks to capitalise on a variety of other possibilities for corporate revenue through its subsidiary companies, ranging from a line of cosmetics made in Morone’s biometric likeness to marketing the artist’s organs. While this approach may appear as playful satire, it is made all the more sobering by the fact that each of these ideas are entirely possible within the prevailing corporate environment and reflect existing industries and markets. At Carroll / Fletcher, JLM™ Inc will debut a ‘Behind the Scenes’ film showing the inner workings of the corporation, as well as a manual educating readers on how they might become Incorporated too.

Émilie Brout & Maxime Marion’s Untitled SAS (2015) takes its name from ‘société par actions simplifiées’, the French equivalent of a registered limited company, much like ‘Ltd.’ or ‘Inc.’ in English. A limited company with ‘work of art’ as its sole corporate mission, the work’s only physical manifestations are its certificate of incorporation and share register. Indeed, Untitled SAS‘s corporate capital is readily available in the form of 10,000 shares for purchase online. Having bought into a company-cum-artwork, each shareholder is at once an investor and a collector, and as such is able to trade shares at the price they have set and influence both the company and artwork’s overall value. In this sense, this fully functional corporate shell performs and mirrors the art market, where the value of a work of art resides in its cultural capital, and in the ability of invested parties to manipulate it to their will.

Les Nouveaux chercheurs d’or (The New Gold Diggers) (2015) is a series of samples of artificial gold products obtained for free online by the artists posing as a company. These items that may appear precious but have little intrinsic value, are part of the artists’ research into ideas of worth and wealth creation. From the extensive description printed beneath each sample, it becomes clear that each one has required huge amounts of technical and human resources to produce, often passing through several different countries in the process. Adopting an approach similar to that of an archaeologist or naturalist, the artists track the way in which luxury is fantasised and consumed.

See Also – Manfred Mohr: Artificiata II

Striking at the core of the capitalist system, Femke Herregraven investigates how financial markets shape demand. Infinite Capacity Al13 (2015) reveals the warehouses where huge volumes of aluminium were stored by investment banks to allegedly enable financial speculation. An array of works also explore the phenomenon of High Frequency Trading, described by the artist as ‘one of the most opaque, automated and sped-up processes of the present moment’. A three-part series, A timeframe of one second is a lifetime of trading (2013-16) draws attention to the speed of these transactions, the semiotics of the naming of such algorithms, and maps the dissemination of such trades over time. Rogue Waves (2015) is a series of metal sticks, laser-cut with the outline of a trading pattern in which algorithms illegally manipulated financial markets. Drawing on ancient trading customs, the form references the tradition of the tally stick, bones or wooden batons once used to record value and transactions. Finally, an online game Taxodus (2012-13) invites visitors to weigh their options and try their hand at offshore investment and global citizenship in order to avoid taxation and become elite players in the world economy.

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Constant Dullaart (b. 1979, Leiderdorp, Netherlands) studied at the Gerrit Rietveld Academie and Rijksakademie in Amsterdam. Solo exhibitions include Jennifer in Paradise, Futura, Prague; The Censored Internet, Aksioma, Ljubljana (both 2015); Stringendo, Vanishing Mediators at Carroll / Fletcher, London; Brave New Panderers, XPO gallery, Paris (both 2014); Jennifer in Paradise, Future Gallery, Berlin; Jennifer in Paradise, Import Projects, Berlin (2013) and Onomatopoeia, Utah Museum of Contemporary Art, Salt Lake City (2012). Group exhibitions include Electronic Superhighway, Whitechapel Gallery, London (2016); Follow, FACT, Liverpool, UK; Then They Form Us, MCA, Santa Barbara; When I Give, I Give Myself, Van Gogh Museum, Amsterdam (both 2015); Evil Clowns, HMKV, Dortmund, Germany (2014) and Online/Offline/Encoding Everyday Life, transmediale Festival, Berlin (2014). He lives and works between Berlin and Amsterdam.

Femke Herregraven (b. 1982, Nijmegen, Netherlands) holds a BA from Artez Academy, Arnhem and an MA from the Sandberg Institute, Amsterdam. Solo shows include Schizophrenic Assets at V4ult Gallery, Berlin (2013) and New Order, Mediamatic, Amsterdam (2012). Recent group exhibitions include Globale Infosphere, ZKM, Karlsruhe; Algorithmic Rubbish: Daring to Defy Misfortune, SMBA, Amsterdam; Extension du domaine du jeu, Centre Pompidou, Paris; Art In The Age of…Planetary Computation, Witte de With, Rotherdam; All of This Belongs to You, V&A Museum, London (all 2015); and online as part of the Extinction Marathon, Serpentine Galleries, London (2014). She currently lives and works in Amsterdam.

Émilie Brout and Maxime Marion (b. 1984 and 1982, Lorraine, France) both studied at the Higher Schools of Art of Nancy and Aix-en-Provence. Solo shows include Les Nouveaux chercheurs d’or, 22,48 m2, Paris (2015); Google Earth Movies, FRAC Aquitane, Labatut, France (2014); and Dérives, 22,48 m2, Paris (2013). Recent group exhibitions include The Human Face of Cryptoeconomies, Furtherfield Gallery, London (2015); Inside/Peer to Peer, Palais de Tokyo, Paris; Unoriginal Genius, Carroll / Fletcher, London (both 2014); and Jeune Création, Centquatre, Paris (2013). They live and work in Vincennes, France.

Jennifer Lyn Morone (b. 1979, New York, USA) holds a BFA in sculpture from SUNY Purchase and the Pratt Institute, New York and an MA from the Royal College of Art, London. Recent group exhibitions include Globale: Infosphere, ZKM, Karlsruhe; The Human Face of Cryptoeconomies, Furtherfield Gallery, London; Algorithmic Rubbish: Daring to Defy Misfortune, SMBA, Amsterdam; Data Rush, Noorderlicht Photography Festival, Groningen; Poetics and Politics of Data, HeK, Basel; Lifelogging, Science Gallery, Dublin; and Capture All, transmediale Festival, Berlin (all 2015). She currently lives and works between the USA, UK and Germany.

To download the press release, please click here.

Manfred Mohr: Artificiata II

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Manfred Mohr: Artificiata II

12 February – 2 April 2016

For his second exhibition at Carroll / Fletcher, digital art pioneer Manfred Mohr presents a series of new pieces mapping his formal investigations of theoretical space in generative screen-based works, drawings, and inkjet paintings.

One of the very first artists ever to produce drawings on a computer, Mohr originally trained as a painter, and has made rigorously minimal paintings and drawings since the late 1950s.  Abstract Expressionism informed his early works, but the artist rapidly grew suspicious of the lack of control inherent to most expressionist practices. Inspired by philosopher Max Bense’s thinking that a ‘clear and logical’ form of art making was possible – and indeed desirable – Mohr began to develop what he called a ‘programmed aesthetic’ while based in Paris in the 1960s. He soon introduced algorithms and formal rules to his painting process in order to generate artworks that conveyed his vision in a more rational way. During the same period, he met composer Pierre Barbaud, known for his role in shaping early ‘algorithmic music,’ an encounter that alerted him to the artistic possibilities afforded by then-fledgling computer technologies.

The events of May 1968 radically changed Mohr’s access to these new tools. As universities opened to all in the aftermath of student and worker protests in Paris, the artist was able to use a computer at the University of Vincennes. Drawings – executed by hand but calculated on a machine – shortly followed. The first computer drawings produced with Mohr’s computer programs were made on a light-plotter at Brookhaven National Laboratory in 1969.

These first experiments set Mohr on a path that he has followed to this day, despite the art world’s resistance to the idea of the computer as a legitimate art medium. Soon after the early Vincennes works, he was granted access to one of the first computer-driven drawing machines – a Benson flatbed plotter – at the Paris Institute of Meteorology. At night, after the engineers went home, Mohr was able to use the large CDC computer and this plotter to give shape to his experiments working with computer programs, and to develop a controlled system, which enabled new visual forms founded on the algorithms he had written. The artist was offered his first museum exhibition at ARC – Musée d’Art Moderne de la Ville de Paris – in 1971, a watershed moment, now widely acknowledged as the first museum show of digital art.

Manfred Mohr: Artificiata II

Music has always been a great influence on Mohr, a saxophonist as well as an artist, regularly playing in jazz and rock bands. In much the same way that a musician might play an instrument, Mohr found the perfect vehicle for his investigations in the geometric shape of the cube, the driving force of his work since 1973. He gradually moved on to the ‘hypercube’ in 1978, a cube of four or more dimensions, which can exist mathematically even if it is difficult to fully comprehend: a space that is unimaginable yet computable.

Artificiata II gathers several animated mappings of the hypercube alongside a selection of images drawn from this process, what the artist calls ‘êtres graphiques’. The exhibition is a continuation of Mohr’s investigations into geometric abstraction as visual music, which is inherent to his practice and emphasised in Artificiata I, his first artist book. Featuring hand-drawn pieces from 1969, these were the last works the artist ever produced manually. Artificiata II is presented here alongside the original drawings from Artificiata I. Exhibited together for the very first time, these works are a testament to both Mohr’s rigorous consistency and depth of research.

It is important to note that for Mohr, what is of interest is not the mathematics of the hypercube itself, but rather ‘the visual invention which results from it’, the way in which these highly rationalised forms are reflected in two-dimensional signs, to striking and endlessly surprising effect. For while the artist creates the algorithm, parametric random decisions built into his formula mean that he can never entirely predict the result. ‘My artistic goal is reached when a finished work can dissociate itself from its logical content and stand convincingly as an independent abstract entity’, he says.

Manfred Mohr: Artificiata II

Explored through the medium of painting, blocks of colour create tension fields of push and pull, generating a visual unrest. The computer, as an extension of the artist, allows Mohr to reach higher forms of human expression, filtered through algorithmic code. In the words of computer art theorist Frieder Nake, each piece functions as ‘a grand confrontation with the bounds of perception and the boundlessness of the mind’.

Manfred Mohr’s work is also presented in the exhibition Electronic Superhighway curated by Omar Kholeif at Whitechapel Gallery in London.

Manfred Mohr (b. 1938, Pforzheim, Germany) lives and works in New York, USA. Selected solo exhibitions include Artificiata II, bitforms, New York (2015); The Algorithm of Manfred Mohr. 1963−now, ZKM – Media Museum, Karlsruhe (2013); one and zero, Carroll / Fletcher, London (2012); Kunsthalle Bremen (2007) and the Musée d’Art Moderne de la ville de Paris (1971). He has exhibited in group shows at prestigious institutions including the National Museum of Modern Art, Tokyo (1984); Museum of Modern Art, New York (1980); and Centre Pompidou, Paris (1978, 1992). His work is held in major international institutions and private collections including the Victoria and Albert Museum, London; Centre Pompidou, Paris; Museum Ludwig, Cologne; Musée d’Art Contemporain, Montreal; and Borusan Art Collection, Istanbul.  

More to read – Neoliberal Lulz: Constant Dullaart, Femke Herregraven, Émilie Brout & Maxime Marion, and Jennifer Lyn Morone

Christine Sun Kim

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Christine Sun Kim

How to Measure Quietness, 2014

Dry pastel and pencil on paper
96.5 x 127 cm
38 x 50 in

The artist explains: ‘I have been thinking a lot about my decibels, dB for short (loudness level), and associations with machinery such as how 75 dB could be interpreted as loud like an urban street or washing machine. Of course, all examples are subjective, but that got me thinking about making lists of my own associations. I started with “quietness” instead of “silence” because I still do not quite get what “silence” means, especially since I grew up instilling your perception of it, not mine.

Christine Sun Kim

After making both quietness and loudness lists, it turns out that both are alike, except that this quietness list is mostly about heaviness and density coming from inside, internally and externally.’

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